Friday, January 11, 2019

3 cities, 10 days, ∞ impressions: Pit Stop 3 ~ Shanghai

Chinese scroll painting, known today in Chinese as guóhuà (meaning "national" or "native painting") is one of the oldest continuous artistic traditions in the world. The earliest known works were done thousands of years ago, and the idea might have originated with painted banners meant to hang in tombs. Artists use fine brushes and water-based inks or paints, made by hand from pigments (dry materials like minerals that provide color) that the artists ideally grind themselves.

As with calligraphy, the most popular materials on which paintings are made are paper and silk. Each hanging scroll or handscroll is mounted on a wooden roller with a protective silk wrapper around the outside and stored in a special wooden box. When you want to view one, you unroll it by hand while it's flat on a table.

My impressions of Shanghai have been presented below juxtaposed on these thematic section-starter art-scrolls.



The city restaurants I visited for dining had numerous rooms accommodating 10-12 members each, giving vent to the private chats of its members. Whilst having a contemporary & grand look overall, the setting of the rooms & the traditional Sichuan opera Bian Lian dance on display in public areas spoke of the bias towards the cultural roots – after all, walls, demarcating areas of privacy & protecting the native lifestyle from external influence, have never been new in this part of the globe.





Even the local food, be it the concoction of self-picked veggies forming the Ma La Xiang Guo hot-pot or the Chinese mitten / hairy crabs as a local cuisine delicacy or for that matter Huangjiu, the yellow wine served hot with chopped ginger, reflected the significant traditional influence and deep-rooted connect with all that’s indigenous.









Stretching beyond the culinary scene, the customary Chinese signature in a significantly unique style was evident right from the early morning recreation activities by the seniors in public parks characterized by localized Chinese yo-yo diabolo tricks and tai-chi exercises up until the traditional Chinese medicine aisles across drug stores during evening market visits.









Despite such a time-honoured cultural scenario, the horsepower and global advantage China has gained on the manufacturing & trading aspects has been mind-blowing, evident in the seamless plant facilities visited as well as the omnipresent CIIE mascot Jin Bao that welcomed partners from the WTO & UN to its annual autumn venue at the airport.




The virtual trade visits to the home-grown digital technology, e-commerce & high-tech analytics giants Alibaba & Jing Dong, only made the accelerated horsepower of this part of the orient even more accentuated, evidently putting these new-age behemoths in the driver’s seat of setting the tone for most consumer categories.











The authoritarian 'one-child' policy had been at the center of driving the dragon’s recent economic prosperity with a single heir to the resources of not only 2 parents, but also 4 grand-parents. The disposable income was further quadrupled by the housing boom making property ownership even more dear and hence the openness to consumer spending on high-end categories & premium western brands, with China accounting for a 3rd of the global luxury market; evident with popular cafe's like Starbucks opening up reserve bars to add fuel to the aspiration-hungry appetite as well as brands pricing up their offerings & introducing limited edition packs to meet the consumer ambitions for exclusivity. 

Affluent millennial's’ individualistic impulses aptly find expression in what/ how much they buy, given the relatively restrictive expression possible in the otherwise political environment they inhabit.


Seeped in local culture, seeking a unique self-expression through adoption of opulent western labels fueled by recently-found prosperity & inheritance; all this, without an overt abomination of the larger repressive milieu which has enabled this newly-discovered magnificence, was how Shanghai marked its first impression.



Epilogue:

I firmly believe each city carries its own individual fragrance and my attempt has been to appreciate each for its own characteristic aroma – an objective & non-biased olfactory sense only adds to weaving a part of ourselves into the space of the larger society that these varied cities inhabit; enabling, in the process, our personal selves to stretch longer, broader and grow into larger, more inclusive beings.

Personally, the impressions gathered across the 3 cities within the short 10-day duration shall go a long way in shaping my perspectives in an empathetic, inclusive way.

Articles on the 3 cities - Tokyo, Seoul & Shanghai have been captured from various lens with some even comparing and ranking among the three-some (much to my dislike). Links to few more subject-specific articles on the 3 cities as below for reference:


-----------xx Happy Impressions! Thank You! xx----------

Sunday, January 6, 2019

3 cities, 10 days, ∞ impressions: Pit Stop 2 ~ Seoul

K-pop, abbreviation of Korean pop, is a genre of music characterized by a wide variety of audiovisual elements; although K-pop generally indicates "popular music" within South Korea, the term is often used in a narrower sense to describe a modern form of South Korean pop that is influenced by styles and genres from around the world, especially influenced by the West, such as experimental, jazz, gospel, hip hop, Reggae, electronic dance, folk, country, classical on top of its traditional Korean music roots.


The Marc Anthony song ‘You sang to me’ with adapted lyrics is representative of this Korean art-form; presented below to express my impression of Seoul.










Seoul sang to me!


Seoul, I loved for how you made me feel

Given all your fetish with appearances being partly real

'Cause you have the best of expressions to reveal

From street-art sculptures  to festive ornaments that you unveil

Am glad we met, you and me

And you showed me what charm needs to be

Yeah you sang to me

Oh you sang to me





With all the manna you offered me 

The refreshing maesil-cha (plum tea), sizzling bibimbap & pickled kimchi

Yeah you sang to me 

Oh how you sang to me





All the while

You were in front of me

I never realized

I just can't believe

I didn't see it

In your fashion brands or luxury home-grown cosmetic avenues,

I didn't see it


I can't believe it

but I feel it

When you sing to me



Just to think I lived inside of you

I had no idea how Myeongdong or Gangnam could be

Now I get your fondness for all that’s western & to-be

But, with a core that’s Korean and a native history

The words you said just sang to me

And you showed me how I should remember thee

You sang to me

Oh Seoul, you sang to me



-----xx Pit Stop 2~Seoul concludes here, Pit Stop 3~Shanghai in art-scrolls to be shared 5 days from now xx------

Wednesday, January 2, 2019

3 cities, 10 days, ∞ impressions: Pit Stop 1 ~ Tokyo

Prologue:

Towards the end of 2018, I had the unique opportunity to travel with work to 3 contemporary, yet distinct metropolis, all within a span of 10 days; thought it was only befitting to start the new year with a post about the quirky impressions each of these capitals left behind - overwhelming at first, the reflections in hind-sight have been personally insightful.

The work learning's were immense of course, but this post goes beyond those to the cultural, anecdotal pickings that go into weaving the fabric of the larger society that they form part of; intuitive impressions that seem innate and most importantly sticky on first viewing, captured here from the lens of the art-form that these cultures have stood for and come to own over the years.





The section-starter (gif) images below are representative of the ‘Anime’ art-form, a Japanese term for animation, which means all forms of animated media. Outside Japan, anime refers specifically to animation from Japan or as a Japanese-disseminated animation style; often characterized by colorful graphics, vibrant characters and fantastical themes.




The welcoming lifts in the Tokyo hotel/ office had a larger ‘OPEN’ button vs. the ‘CLOSE’ button, unlike most other places. The ‘Quiet Please’ sign on the doors indicative of ‘giving’ you your own private space, even in a public area, only reflective of the warmth and politeness of the people.







The kindness of commute stretched beyond lifts and onto the streets, with parking meters installed even on otherwise crowded main roads, speaking volumes for the willingness to accommodate; a characteristic most hi-population/ hi-traffic metropolitan cities do not feature.





The carefully curated, inviting plastic models of dishes on display outside most Japanese restaurants were an acknowledgement of the meticulous planners the Japanese are when it comes to food; the food not only topped it on the taste front, but also had a hip, trendy and fashionable, almost artsy-look so easily blended in, which indicated their creative sides.


For the hurried ones though, the significant line-up of vending machines offered the comfort of on-the-go, ready-to-eat affordable meals, much required in a hi-transit time city, but more importantly, driving home the point that machine-hours were more economical than man-hours, like in most advanced economies.



Despite the overall advancement, it was interesting to note that the decreasing salary trends had most Japanese youth foresee a not-so-bright future; dampening their aspirations for the future and driving complacency with the present.

The same complacency even reflective in their behavior towards trying to attract the opposite sex with > 2/3rd of the 20-30 year-old population happy to continue being single, despite the growing popularity of online social networks.





Warm and kind, showcasing its inherent creative side externally whilst being content even to the extent of being complacent with itself, was how Tokyo had marked its first impression.

------xx Pit Stop 1~Tokyo concludes here, Pit Stop 2~Seoul in K-pop style to be shared 5 days from now xx-------